Thoughtful and dry-humoured, with a quivering, bird-like alertness, New Zealand-raised actress Anna Paquin is a dichotomous creature – an ingénue who has seen it all; an old pro who remains wide-eyed; a Hollywood powerhouse in a 5'4" woman-child frame. She’s 28 now, but was, by her own admission, “a bit of a goth” in her teenage years – an awkward gap-toothed girl who hid behind long dark hair and DM boots, nervously squinting under the glare of the lights and cameras that had followed her around since she was a schoolgirl. As such, it’s fitting that she should go on to become a poster child of our vampire-obsessed culture, star of the graphically violent, unashamedly erotic True Blood, in which she plays telepathic waitress Sookie Stackhouse, a post-feminist small town blonde with a penchant for push-up bras and undead men.

Your character, Sookie Stackhouse, is telepathic. Some people say that telepathy is how super-evolved human beings will communicate with each other one day. Is Sookie super-evolved, being so hyper-sensitive that she can read minds?

Yeah, I guess it would kind of be a bummer. And that is the interesting thing about it; that her superpower is a bummer to her.

Personally, I’m pretty happy not being telepathic. If you don’t want me to know something, that’s all good.

You have your own film production company with your brother. What’s happening with that?

You seem conscious of being a grown-up as you approach 30.

For me, I feel like my numeric age is finally catching up with how old I feel. When you live in a world that is more traditionally occupied by grown-ups, it tends to make you grow up a few years faster – but if you are 18, 19, 20 and you look like you are 14, people tend to treat you like you are still a kid. At this point, it feels like the reality is catching up with what people expect of someone my age. I’m almost 30, so I guess it’s normal to have bought a house and be married.

So you’ve always felt older than your actual years, because you look young?

Yes, but I’ve stopped looking like a teenager, which I am pleased about – I feel like I looked like a teenager for way longer than most people do. There is something to be said for looking like an adult. There is a certain sort of thing where

“Never think too highly of yourself. It sets you up for a big fall”

people will look at you and think they know what your degree of life understanding and life experience is. Eventually, when people get to know you they realise you’re not some young flake – despite the fact that you look like you should be carded to go to an R-rated movie. It’s not a good thing or a bad thing, but sometimes people treated me like I was a kid – certainly not people who actually worked with me, because I don’t think I had the work ethic of a kid.

What’s it been like, transitioning from being a New Yorker to being an LA girl in the last three years?

I swore I would never leave New York, come hell or high water, because I loved it… but I really love living in LA. And then as I kept deferring school to go work, and then my class graduated without me, I stopped pretending I was going to go back.

I want to ask you what you think of fate and destiny. Your career came about because of your talent…

(Laughs) If you say so!

But also you were in the right place at the right time.

Well, certainly it’s very easy to see how you take a slightly different turn here or there, and it can lead you down a completely different path. I feel that stuff works well to explain the good stuff, but it doesn’t necessarily work to explain

when tragic, horrible things happen to people. That’s when I have a little bit of difficulty with the notion of fate. Like well, if I was fated to end up where I am today, then if someone who was very close to me has cancer, was that also fated? I don’t believe that. I have been incredibly lucky. I don’t know if it’s anything more involved than that.

You seem to be a bit uncomfortable with compliments.

I will say thank you to compliments – I am told that is the appropriate response. But I promise, you are not going to get me to own any of that stuff – I refuse to own any of what people are saying to me, about me. It’s just the culture I was brought up in. I don’t know – I think English people have a good dose of that as well.  Never think too highly of yourself. Never make it seem as if you think it’s all sorted. Because on that level, it does set you up for a big fall.

That’s very un-LA of you. In LA, people tend to have the opposite approach, over-hyping themselves and their accomplishments in the hope that people will believe it’s true.

I find it really fascinating when people will freely tell you things they are really good at. It’s like, ‘Wow, I am really happy that you are so confident!’ I guess part of me feels like if you think you’ve already got it all sorted then you’ve got nowhere to go. Then there is nothing to strive for and nothing to be attained. If you think you’re as smart as you need to be, then where do you go from there?

Complacency is not something you can be accused of, then.

I am ambitious, but some of the things I’m focused on have changed a bit. When I wasn’t married and had all the time in the world to focus exclusively on work, work, work, more work… that was what I did. At this point, there are other things that are important to me, so to take some job that would take me to someplace for six months becomes a different sort of decision. Now I have a home that I would be leaving and people who I would miss.

It seems like working on True Blood has meant life-changing experiences for you on every level – doing a TV show for the first time, and then meeting your husband, who happens to be your co-star, who your character is in love with on the show...

Yeah, it’s all right. I guess they cast him and me in that combination because they thought we had chemistry. As it turns out, that wasn’t too far off the mark.

Edge Magazine fick chansen att intervjua Rutina Wesley.

What happens in Vegas stays in Vegas. Well, that is not entirely accurate. Actress Rutina Wesley, one of the stars of the HBO series True Blood, did not stay. The daughter of professional dancers, the Las Vegas born-and-bred Wesley took her show on the road—first to the University of Evansville as an undergrad and then to the Juilliard School in New York. Along the way, Wesley also studied at London’s Royal Academy of Dramatic Art. A plum role on Broadway in David Hare’s The Vertical Hour and the lead in the 2007 dance film How She Move earned her an audition for Alan Ball, who was casting the tricky role of Tara Thornton in True Blood. The depth she brought to the character not only won her the part, it has since made Wesley one of the most popular characters on television. EDGE Assignments Editor Zack Burgess took the actress back to Las Vegas to talk about her show business roots and inspirations, and to explore the imaginative and eclectic Rutina Look (his words, not hers). The ground rules for the interview? Only one “vampire question” allowed (our rules, not hers). Oh, the pressure! As usual, Zack saved the best for last.

EDGE: You grew up in a town that isn’t always known for its taste, but it is definitely known for its style.

RW: True.

EDGE: Yet you seem to have developed a keen sense for both. How did that happen?

RW: Being the daughter of a mother who was a professional dancer had a definite influence. My mother loves to dress and she has a great sense of style, with the feathers and colors and all. I can go in any direction, from elegant to tomboyish. I think traveling as much as I have has helped, as well.

EDGE: Does your sense of style come naturally or is it something that you have to plan and work on?

RW: A little bit of both. I’m a chameleon with my style because there are so many things I like; it’s hard for me to choose. I love to glam it up for events and wear things that I can’t in everyday life, but I also love to run around in jeans and sneakers, especially since I’m secretly a sneaker freak.

EDGE: Is there a story behind the Rutina Look?

RW: I definitely consider myself a New York girl. I just like the style of New York. There really is no story behind my look. I just think I have a good sense of what makes good and bad fashion—although I have been known to take risk with fashion from time to time.

EDGE: Who are some of the designers that you like?

RW: Jean Paul Gaultier, Cynthia Vincent, Stacey Bendet [Alice & Olivia], Versace, Tadashi—there are just too many to name. I like a variety. It’s nice to switch it up every once in a while.

EDGE: Were there actors you felt drawn to as a girl—any that you wanted to model yourself after?

RW: Of course. Angela Bassett, Viola Davis, Meryl Streep and Julia Roberts come to mind. I consider them all people who carry themselves with dignity and class, and who have mastered their craft.

EDGE: On True Blood, there is a lot of grittiness to your character, Tara, in the face of unimaginable danger and evil. Where do you reach down and pull that from?

RW: I know a few people who were forced to grow up too fast because of something that happened in their lives. I tend to draw from the stories I’ve heard from them. I’ll just take myself to these dark places and use my imagination, to picture what it would be like to grow up in a home that was abusive and volatile, try to think of how that would make me feel. I do always try to come from a place of honesty and humanity, because I don’t want it to be too over-the-top. A lot of the time, though, I can get a true sense of things from the words I’m given in the script. I’m lucky to be working with some amazing writers.

EDGE: Talk about the performing arts school you attended in Vegas. People picture Fame on the Strip. What was the reality like?

RW: Yeah, I can see how people would think that. You know what our first play was? Fame! It was a ton of fun. We were always doing something. Whether we were singing songs from Grease or performing Shakespeare, I love Shakespeare, it was definitely a wonderful experience. It prepared me for what was to come and fueled my desire and drive to become who I am today.

EDGE: What percentage of your classmates had parents who were entertainers, as you did?

RW: Not many at all. Most of the kids’ parents either worked on the Strip or had their own businesses.

EDGE: You mentioned your mother’s influence. In what ways has your father helped your career?

RW: Both of my parents prepared me for what to expect as I made my way in this business. My father was always there to say make sure you read something before you sign it, and makes sure you have a lawyer.

EDGE: Was acting your first love?

RW: I would have to say dance was my first love. But I had to choose, and acting just made more sense. With acting I can do so many things. I can even dance if I want to. I can always dance in a musical.

EDGE: After earning your theater degree at Evansville, you made the quantum leap to Juilliard. Looking back, can you identify the performances that won you a spot there?

RW: At Evansville we did a lot of Shakespeare, and we had to perform many monologues, which they knew about at Juilliard. So they made me do all of them, which is amazing when you think about it.

EDGE: Looking back, which Juilliard teachers played key roles in your development as an actress?

RW: John Stix and Richard Feldman were very influential.

EDGE: Is Juilliard harder to get in or stay in? And who were some of the teachers who were influential in your development as a performer?

RW: Both are hard! They used to have a cut rule, but they don’t anymore, which is good. That way you can really concentrate on your craft and not worry about being sent home. It was definitely challenging, but worth every minute of my time. It was fun—just an awesome experience. I met lifelong friends there. I met my husband there. It was, and has been, one of the greatest experiences of my life. Recently I was walking with a friend from high school and he reminded me that I once said that I would go to Juilliard. I didn’t remember that. He reminded me that I was living out my dream. I couldn’t help but start crying right there on the streets of New York.

EDGE: When you were cast in The Vertical Hour on Broadway, what kind of expectations did you have in terms of building a personal or professional relationship with Julianne Moore?

RW: None really. But she was nothing but exceptional to work with and be around. It was a small cast, so we really became like a family. To work with Julianne and Bill Nighy, who is a true professional, was a remarkable experience. And to work with people you admire and to have them treat you well, it was such a pleasant experience. I have nothing but positive memories of working with Julianne and being around her.

EDGE: What did you learn about the craft from her?

RW: Her work ethic was amazing. The way Julianne immersed herself in her character was a very good thing to see. She works so hard at her craft that it can’t help but rub off on you—especially if you are willing to learn. She’s a risk-taker. She’s not afraid to do different things with a character.

EDGE: In what ways did the director, Sam Mendes, have an impact on your approach to performing?

RW: He was always working to get the best out of you. He forced—and allowed—me to stretch as an actress. Which is what good directors do.

EDGE: Juilliard connections can take you in any number of directions. In your case, it led to your part on True Blood, through a classmate, Nelsan Ellis, who is now your co-star.

RW: Yes, we have known each other forever and have been good friends throughout. So it was great when he recommended me for the part. It was so natural because he knew my work and what I was capable of. When I found out I got the part I was driving out of a Starbucks parking lot. I was so excited I almost crashed the car. So I pulled over and just started screaming.

EDGE: Is it fun being a celebrity?

RW: It’s fun. Although I still have a hard time considering myself a celebrity. But in this business if you are being recognized for what you do, it’s a sign that you are doing well. And so far, it has been very good to me and I am enjoying it. I consider myself fortunate.

EDGE: Final question. Would you rather be trapped in a room with a vampire or a Hollywood agent?

RW: I would have to say a vampire. At least with a vampire, I think I’d have a chance of surviving.

Movie Mikes fick nöjet att intervjua Chris Bauer (aka Andy Bellefleur) för ett litet tag sedan. De pratar mest om hans karaktär i True Blood och hur han har förändrats.

Chris Bauer is known for his role of Andy Bellefleur in HBO’s “True Blood” With the show entering its fourth season next year. Movie Mikes had a chance to talk with Chris to discuss his character and how he has changed over through the seasons. We also discussed his other film roles and what he is currently working on besides “True Blood”.

Mike Gencarelli: Tell us what has been the best part of playing Andy Bellefleur in “True Blood”?
Chris Bauer: The best part for me, so far, is that, like it or not, for better or worse, there’s something about this guy that I love. There’s an essential kind of insecurity mixed with strength and moral fortitude that I’m interested in…that I identify with. I think the guy’s funny. And in a lot of ways I think he’s the portal the audience see’s that world through. And that’s a fun role to have.

MG: How do you feel that your character has grown season by season?
CB: I think he’s gotten more dynamic. He’s gotten more human. He has gone from, essentially, a plot function into a contradictory, complicated character. And that humanity is what I like to bring to a role. To me that’s the difference between a character and an idea. In the first season he was out to break Jason Stackhouse’s balls. (laughs) And that was fun. In the second season we found out a little more of his biographical background. He went on this bender. And his obsession to get things right turned out to be true. And he paid the price for it in the third season. But I would love to see him expand more. I would love to see that whole human dimension take up more space. But in the mean time I think they are continuing to write an interesting and compelling character that I’m very happy to play. This is the sixth TV show that I’ve been a regular on and I’ve never been the kind of actor who gets right up the writer’s ass to find out what they’re going to do with the character. I look forward to the surprise…week to week…to see what happens next. I trust the writers that I work with. I’ve been very lucky in my career to work with very talented and inspired writers. And it’s a thrill to see how the character evolves, symbiotically, through your relationship with the writers and their experience with your work.

MG: What has been the most difficult part of working on the show?
CB: Honest to God, there’s two versions to that. The logistical one…for the first two years I commuted from
New York to L.A. I was out there by myself a lot and really missed my wife and kids. And I’m really not the kind of guy who wants to be flying from coast to coast every ten days. On the creative side, the most difficult thing is unfortunately the downside of one of the strengths of the show. One of the strengths of the show is that it has a library of characters that inhabit a really broad world. And unfortunately, we only have sixty minutes per episode to visit all of these characters. I’d like to think that I keep myself in really fit creative shape. And that I devote my life, and have devoted my life heading into my mid 40s, to getting really good at one thing, which is acting. And if you think of a race horse being good to go as soon as the gate opens, basically the horse gets into a gallop and the race is over. That’s hard. I want to take the ball and run. Very few of us get to do that on “True Blood.” The good thing is what we get to do is pretty rich…it’s pretty interesting. It’s pretty inspired and that makes up for the limited screen time.

MG: What can we expect from Andy Bellefleur in Season Four?
CB: I don’t know! This is the sixth TV show that I’ve been a regular on and I’ve never been the kind of actor who gets right up the writer’s ass to find out what they’re going to do with the character. I look forward to the surprise…week to week…to see what happens next. I trust the writers that I work with. I’ve been very lucky in my career to work with very talented and inspired writers. And it’s a thrill to see how the character evolves, symbiotically, through your relationship with the writers and their experience with your work. But at the same time it’s disappointing sometimes. When you open that script and you don’t have much to do, that’s a disappointment. That’s a straight up “I wanted a 10-speed for Christmas and I got a Big Wheel.” (laughs) But that’s sometimes how it is.

MG: I’m a big fan of the “Masters of Horror” episode “Sounds Like.” Talk about working on that show?
CB: I’m really glad that you saw that, number one. I’m very proud of that piece of work. Brad Anderson directed that and to me he’s one of the greatest filmmakers out there. He’s got it all. He’s a really thoughtful, unique writer. And as a director, you can’t ask for somebody more well prepared and concentrated and really there to support your performance. And on top of that, his aesthetic…if you look at “Sounds Like”…if you look at “The Machinist”…he understands psychological tension…psychological pain. And for some reason, I do to. (laughs) And I got to be the lead, which is what I want…can you tell this is turning into the theme of this interview (laughs)…I feel like I can handle a lot of story on my shoulders. And I was so grateful to Brad for giving me the opportunity to do that. I love the emotional repression that that guy was under and how it drove him crazy. I think that’s very relatable and very human.

MG: Going back in time a bit, you played Lloyd Gettys in “Devil’s Advocate.” Did you enjoy playing such a creepy role?
CB: For some reason that role just stuck in people’s psyche. I honest to God don’t know if it’s because the role really had an honest effect on people or because that movie seemed to run on a loop on TNT 24 hours a day for ten years! (laughs) I mean who didn’t see that movie? It was like “The Rockford Files,” it was never NOT on TV. It was a creepy character. And you know, there’s something a lot of people don’t know about that movie. There’s an insert at the beginning where Keanu Reeves looks under a table and you can see my little greasy hands doing my thing. Those are not MY hands. Not only are they not my hands, they shot that part of the film in L.A. I shot my parts of the film in New York. Taylor Hackford, who’s one of the best directors I’ve ever worked with, he called me and said “I can’t fly you to L.A. to do this but if you’re going to be in L.A. I’d love for you to do it” but I couldn’t because I was working in New York. So somebody else did it and I was having drinks in a bar in the Village many years later and a guy comes up to me and asks, “Yo, dude, I was your hands.” It was some camera assistant and he was the hands. It was kind of funny.

MG: Are you currently working on anything else at the moment?
CB: I’ve got a little part in a movie Robert Redford just directed called “Conspirators.” That was pretty cool to work with him. I have a list of directors that I’d love to work with before they stop making movies and he was definitely on that list. Clint Eastwood was on that list and I worked with him a few years ago on “Flags of Our Fathers.” I was never much of a student and I consider all of these experiences…working with master filmmakers like them…to be my primary education really. It’s such an opportunity and privilege to get to work with these guys. I just finished a David Mamet play. That’s something I like to do every couple of years. I need to get on stage because frankly as an actor you get stronger. Other than that, we start up on “True Blood” in November, so in another month it’s back to the show.

Här kommer en liten kort intervju med vår Chris Bauer och är det bara jag som tycker han ser gullig ut i dem där glasögonen?!

Chris Bauer, who plays drunken, slovenly Bon Temps police officer Andy Bellefleur on True Blood, is spending his hiatus in the gym: "I’ve been doing this for a long time, and I’ve been lucky to do it on TV for a long time, and I just finally … it was, like, one day I just looked up there and saw me,” Bauer told us last night at the Broadway opening of A Life in the Theatre. “And especially after the second season of True Blood, where my character had so let himself go, life was imitating art, big-time, and I just decided I want to do whatever I can to look as good as I can." No matter how good he looks, though, Bauer says that when it comes to playing the character, he plays it the way they write it. So does that mean when True Blood’s next season starts in June, they’ll have to hang jowls and pad his buff belly? "I doubt it," Bauer told us. “I mean, that show is all about sex, no matter what, so people should want to sleep with my character as much as anybody else.” We pointed out that his character is one of the few on the show with no nude scenes. "It's only a matter of time,” he said. "There’s, like, a bull’s eye on everybody’s back on that show. I'm not going to get caught unprepared."

Broadway.com intervjuade (Kungen ^^) Denis O'Hare för ett litet tag sedan.

After a sensationally over the top run on season three of HBO’s uber-popular vampire series True Blood, Tony winner Denis O’Hare (who played the show’s murderous King of Mississippi) has found a new set of admirers on his way back to the stage in the forthcoming Broadway production of Elling. So, which fans are more hard-core: Broadway-goers or vampire lovers? “It’s a tossup,” O’Hare recently told Broadway.com. “Broadway fans have to travel here to see their shows, so they have a level of commitment that’s more than just tuning in every week.” Thanks to TV, however, O'Hare can feel his profile rising: “I get left alone for the most part, but then suddenly somebody will scream, ‘Oh my God! You’re the King of Mississippi!'”

O’Hare got a taste of True Blood fandom at San Diego’s Comic-Con convention earlier this year. “Comic-Con is a special kind of crazy,” the actor joked. “There were around 130,000 people there!” In addition to convention-goers, the actor was surprised to find he had intergalactic fans. “I got surrounded by the cast of Star Trek: The Next Generation,” he exclaimed. “First Deanna Troi [Marina Sirtis] walked up, then Data [Brent Spiner], then Worf [Michael Dorn]. I was just like ‘Oh my God!’” But after his character's questionable fate of being encased in a tomb of concrete for the next 100 years, will O’Hare be back for season four? “I love the show and really hope I’m back next year," he said. "It's a very good atmosphere."

In the meantime, O’Hare is prepping to return to Broadway for the first time since 2007’s Inherit the Wind in the mental hospital comedy Elling opposite Brendan Fraser, Jennifer Coolidge and Richard Easton. “I’m scared and nervous,” he said. “I forgot how much work [Broadway] is.” Asked if he's offered any advice to Fraser as the Mummy star makes his Broadway debut, O'Hare said, “I think he’ll be just fine. He doesn’t need any help from me. I’m really looking forward to working with him, and I love this script.”

O’Hare received a Tony Award for Take Me Out and a nomination forAssassins. His other Broadway credits include Sweet Charity, Major Barbara, Cabaret and Racking Demon. Off-Broadway, he played the title role in a 2008 production of Uncle Vanya. Elling begins performances November 2 at the Ethel Barrymore Theatre with an opening night set for November 20.

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GQ UK har nu lagt ut en ny intervju med Alexander Skarsgård!

Generation Kill vs the Swedish marines
I was in the Swedish marines for 15 months. I was a sergeant, the same as Brad Colbert is in Generation Kill. I did it for myself, because I was 19 and I wanted a challenge. I knew that I wouldn't be shipped off to Afghanistan and have to shoot people out there. It's very different when you enrol in the States because you know that a couple of months from now you might actually go out and be shot at. But it definitely helped me in terms of the structure of it, the banter between the guys, how you address your officers, how you address your peers, the gear, the weapons.  In terms of making it authentic, we had a couple of real marines from First Reconnaissance with us who were in the book. It's a true story: we didn't want to Hollywood-ise it, fictionalise it, throw in a girl and a love story. We wanted it to be real and we didn't want it to have a beginning, a middle and an end. We wanted it to be five weeks in what these guys are going through out there. It's not like the show ends and the conflict is over. We made it for all those soldiers over there because you don't really see what's happening on a daily basis, what the soldiers are going through and what kind of baggage they come home with. So it was just important to make it right for these guys to go to their families, "Watch this, because this is pretty much what we went through out there."

Modelling for Hickey Freeman vs Zoolander
I'd never done a commercial or an ad before in life, not even in Sweden when I was working there for many years. It just felt right. [Hickey Freeman] called and said Annie Liebovitz, who's one of the best photographers in the world, was going to do it, so it was an opportunity to work with her. We had a couple of meetings and we said no first. Like I said, I'd never done it before so I was very hesitant. But then we met a couple of times and the way they wanted it to be sounded very classy and not too promotional. I really liked the way it turned out, I think the shots are great and I'm very happy that I did it. It was an opportunity to work with a phenomenal photographer.

Lady Gaga vs Rihanna
They were very different experiences. I worked with Lady Gaga for a day on a video shoot. It was crazy; we had a lot of fun. I had a great time. [Filming Battleship] is a different experience because Rihanna, we're out there together for a couple of months. This is her first movie but she's great, she's really really good in it and her working… She's got a crazyschedule. She's really diligent and I'm impressed. We would work and then she'd fly to LA to perform at the MTV Music Awards and then fly back red eye, land, go straight to set, work all day. No complaints, nothing. She's really solid.

Tall vs small
My height can be a problem. A lot of directors and photographers are sometimes not happy because I'm pretty tall and especially if I work with short actors the difference can be pretty massive. [Laughs] That's definitely happened before. We use apple boxes for the other actors so they get up a bit.

Being naked on screen vs that cover shoot for Rolling Stone
Why do I "love being naked"? [Laughs] Because I was born that way? I didn't write the scripts but I don't mind it if it makes sense. It's about being comfortable and if it makes sense story-wise. The only time it can get awkward is if you feel exploited, like, "Why am I standing here naked?" and I've never felt that. There's always a reason for it on the show and it's always at great moments: fun, crazy scenes. So I really don't mind at all. The Rolling Stone cover just happened on the day. We showed up and we shot very PG-13 with our clothes on for basically the whole day, like six or seven hours. Then towards the end the photographer said, "I have this, these shots are beautiful and the magazine is going to be happy with them but I'd like to try something if you guys are game." He explained it and it was just one of those things in the moment where we all looked at each other, we'd spent all day with the photographer, we felt comfortable with him, we knew that he was great and the atmosphere was right and we were like, "Fuck it, let's do it." No one thought that the magazine would go for it. They want to sell at Walmart. We thought this was going to be too offensive. But I guess they did. [Laughs] I'm glad they did! I liked it a lot. It was definitely more interesting than the safe version…

About.com intervjuade Ryan Kwanten om b.la. olika filmer han håller på med.

Rutina pratar lite om hur det var för henne när hon var 17 år och då får man också veta att hon var med i en show som heter Fame.

Rutina Wesley intervjuades nyligen av SISIUS XM och tja, vad ska man säga...de pratade väldigt mycket om silver tjep! :o

Rutina Wesley var nylign hos The Wendy Williams Show och snackade lite om att det hade blivit lite problem på Emmy galan eller vad man ska säga...;o

Movie Trailers - Movies Blog

PopSugar intervjuade nyligen vår stjärna Todd Lowe!

Lindsay pratar om hennes första beundrar möte!

iF Magazine har nu en ny intervju med den förtjusande Deborah Ann Woll!

En mycket, mycket intressant intervju faktiskt! Man får läsa viken Deborahs favorit scen är...än så länge och mycket mer!